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The General Lee and Me

7/23/2020

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PictureI drive the General Lee
​As part of my birthday present in January this year, Mrs Baldwin bought me a red-letter day driving experience from fivestardays.com. Given that my appreciation for these kinds of car is well known, the voucher was for a blast in an American muscle car.

The Background
I arranged to redeem my voucher with a business called Everyman Racing and to utilise its Prestwold venue, which is near Loughborough and thereby geographically closest to me.

When I originally called to book up a visit, I was advised that I could choose from a series of cars to drive, the lady was going through the list and when she said the “General Lee”, I said “stop there, yes please”. No further options needed to be explored.

Not only was I going to get to drive a 1969 Dodge Charger, it would have the legendary orange Dukes of Hazzard livery. I was well chuffed.

But patience was required because Everyman Racing was shut down in light of coronavirus and gratification would have to come once lockdown was lifted. So, though my birthday was in January, I had to wait until last weekend (18th July) to be able to enjoy my present.

During the booking procedure, I was subject to upselling and ultimately purchased a collision damage waiver (£20), a couple of track demo laps (£10) and a photo (£10). More on the value of these later.

On the 18th July, Mrs B and I made our way to the circuit, me dressed in a vintage leather jacket and wearing a tee shirt celebrating 50 years since the Apollo 11 moon landings (another reference to 1969).

Most of the vehicles being driven around the track were modern sports and supercars, but there were a collection of much more interesting vehicles including a Smokie and The Bandit Trans Am, a Knight Rider KITT Trans Am, an A-Team GMC van and a sixties Ford GT40.

Once I went through the socially distanced checking in protocols and driver briefing process, I was able to get my demo laps. My driver pointing out the track apexes, braking points and general track etiquette.
    
Then it was my time to have a drive with The General and my instructor, Nathan, because it turned out that I wasn’t going to be unsupervised on the circuit.  I was led across to the car and allowed to spend a few minutes appreciating it and taking some photos (shared here for your enjoyment).

The General
I was pleased to find that the doors on this Charger weren’t welded shut, because I really wouldn’t have looked elegant climbing in through the driver’s window.

Once in the driving seat and belted up, Nathan, who also instructs on the Lambos, joked with me that I’d have the slowest car on the circuit, with the potential exception of the A-Team van. And despite the roll cage suggesting raciness, he was right.

The Dodge was a column shift auto and once it clunked into gear, we headed to the track. We queued at the circuit entrance for a moment to have a photo taken and await our launch slot. When it was time to put the hammer down, the General’s V8 made a lot of lovely noise, but advancement was rather more pedestrian. The carburettors caused some fuelling related lag, and presumably the engine had been detuned – it certainly wasn’t set up for the drag strip put it that way. No smoking or squealing tyres.

Progression around the track was shall we say, stately, like a galleon. The long bonnet and low seating position reminded me greatly of my old HC Vauxhall Vivas. Obviously, there was a lot more auditory drama with the Dodge, but the driving experience wasn’t all that different, rear wheel drive, vague and heavy steering, rubbish brakes, body roll in the bends and all accompanied by a cacophony of rattles, shakes and squeaks. With little pillar obstruction and no head rests, visibility was good though.

To be frank, the car looked lovely on the outside, but on the inside, it was rather more tired and its 50 years of service and relatively poor original sixties build quality were obvious - cheap plastics, missing trim elements, there was even orange hand brushed overpaint on some of the internal trim panels. To be frank, the car felt like the kind of film set car that it was. For filming purposes, the outer appearance is key, and in this respect the Charger was wonderful.

On the track, the advice I had been given on my demo laps was irrelevant because Nathan had me braking much earlier than the posted braking points and was very keen that I took different lines into the bends so that the car would stay on the track instead of going straight on.

After two laps of the Prestwold track, the experience was over and it was time to park the General – fortunately there was plenty of space for its considerable turning circle.

The Verdicts

The Package
The basic cost of the experience was good value. I would however have liked more time in the car, two laps of the circuit and circa three miles of travel just wasn’t enough, and the drive was over within minutes of it starting.

The professional photo was good value.

The demo laps were a waste of money at least as far as my experience went. When I agreed to them, I didn’t know that I would be accompanied when driving the General, or that Nathan would demand that I ignore all the instruction I was given during the demo process. The demo laps helped one determine how the most track speed could be extracted from a car. All ultimately irrelevant to me.

The indemnity insurance was a waste of money. Having never been to the circuit, when I booked the package, I was being sensible. I didn’t know the risks and felt that the extra expense was justifiable. On the day though, the actual chances of an accident were minimal, the performance of the car underwhelming, my instructor firm, the focus on safety by Everyman Racing - second to none.

Of my forty extra pounds spent, thirty of them would have been better allocated to getting a few more laps, or diving one of the other vehicles as well.

The Process
Getting the package booked was easy and the communication in the run up to the 18th was excellent. The organisation at the venue was good and the coronavirus safety measures all taken very seriously. The people that I interacted with were all friendly and accommodating in as far as they could be.  For example, I got to take some close-up pictures of the KITT interior, shared below, after being allowed to go trackside (accompanied) with my camera.

The General
To be brutally honest, driving the car wasn’t particularly pleasurable, a modern car would kick its butt in every meaningful measure. Once you are in the driving seat, you can’t even see the beautiful body.
 
You might be thinking that the car was a bit rubbish and that I didn’t enjoy myself …

… but that couldn’t be further from the truth.

Don’t get me wrong, I spent the whole time smiling and I BLOODY LOVED IT.

I wouldn’t have swapped driving the General for any of the supercars that were on the track with me.

The End
​

I want to go again. Next time, I will most likely opt for a multi car package with the aim to drive some of the other film set vehicles. I particularly want to drive KITT.

And I’d like another tango with the General.

My thanks to Mrs Baldwin, who doesn’t share my love of old cars, but dutifully accompanied me to Prestwold anyway. She pulled an absolute blinder with this year’s gift, an inspired choice.
​ 
Thanks to Everyman Racing, I look forward to my next outing.​

Click on any image below to enlarge and open the gallery

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More on Ostrobogulous Toys

7/7/2020

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PictureKristin Baybars' Ostrobogulous Creations - click to enlarge
​The other day I wrote about a cuddly toy investigation that started with of a bit of reader engagement and ended with some enjoyable dialogue with Kristin Baybars’ support team.
​
This is a follow up piece prompted by some more research into Kristin Baybars’ Ostrobogulous creations. As a result of liaising with David Ward, I was fortunate to be able to start exchanging notes with Sarah, a keen collector of the characters.

The Word
But first, are you familiar with the word “ostrobogulous”, after all it’s not exactly commonly used parlance? Do you know what it means? If you don’t, here’s how Lexico.com details the adjective:

“Used after Neuburg to designate something that is slightly risqué or indecent. Also applied arbitrarily to things which are bizarre, interesting, or unusual in some other way.”

"Origin - 1950s. Apparently irregularly from oestrous + -o- + either bog or bog + -ulous, attributed to Victor Benjamin Neuburg, British writer"

From a zoo perspective, the latter elements of the description are clearly more relevant than the former.

Apparently, Kristin has always disputed this definition of the word as she maintains it is a reference to a word her Mother used to mean "something a little frustrating but playful". Kristin's Mother (Ida Affleck Graves) wrote a book called "Ostrobogulous Pigs" in 1952 and it was illustrated by her good friend Bernard Watson. It was he who would use the word in the context described above.

The Range
The range it turns out had more in it than I was initially aware of. Sarah was kind enough to send me on some photos of her collection and help me to fill in the blanks about character names.

Here is the list I have so far been able to determine. If you can fill in the blanks, either in terms of character names or animals missed out altogether, please get in touch.

Character – “Name”
  • Clown – “Aristo”
  • Fish – “Burble”
  • Fox – “Muswell“
  • Frog – “Olugo”
  • Goose – “Sippigoose”
  • Hedgehog – “Hedgiwig”
  • Humpty - "Humpty"
  • Lion -
  • Mole – “Moobie”
  • Owl – “Peter Hoot”
  • Snake -
  • Turtle – “Totterton”

The image collage that accompanies this post shows an example of each creation. There are two Aristo clowns because one photo came from Sarah and the other is the figure that lives in the Bethnal Green Museum of Childhood. This is the actual clown that I referred to in my original post from 2013 (if you follow the link, you’ll have to scroll down to my Peter Hoot).

Muswell Fox was apparently rejected by the Design Council and was never put into production. Sarah is therefore lucky enough to own a prototype. From a personal perspective, I particularly like the fox and think it’s a shame it didn’t make the cut.

I believe that all the fabrics used were from the Heal’s range. David Ward advised me that the fabric used for Loveday’s orange/brown owl in the earlier post was called “Armada”, the fabric for the orange turtle shown in the photo accompanying this post was “Pageant”. Whilst some of the fabrics were quite restrained, for me, the more sixties psychedelic/abstract floral/seventies-heavy-pattern the better. At this stage I am not sure what the fabric is on my Peter Hoot, but I’ll update this post if/when I find out.

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Kristin Baybars' Shop
7 Mansfield Rd, 
Gospel Oak, 
London NW3 2JD
Tel. 020 7267 0934
Facebook - https://www.facebook.com/OstrobogulousToys
Facebook - https://www.facebook.com/Kristin-Baybars-948746098636155/

P.S. Content here doesn’t have to be about car shows, heavy metal gigs or current affairs. Admittedly, Ostrobogulous Toys make a pretty niche kind of topic. It’ll be interesting to see how much more reader engagement it prompts. Some of the most popular material on my site is also peculiarly niche (or bizarre, interesting or unusual, to borrow from the meaning of Ostrobogulous) e.g. Superman lolly sticks, Peter Lightfoot prints, Camp Summit, Hi-Tec Tecs, The Forgotten Soldier etc.

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Anvil at the Craufurd and The Story of Anvil – a gig and a vid.

7/6/2020

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Picture
On Sunday 8th March, just prior to coronavirus taking hold of the country and lockdown commencing, I got to see Anvil at the Craufurd Arms.

The Gig
The Canadian heavy metal legends were back in the UK and, much like the last time I saw the band in Milton Keynes, the fellas rocked the joint.

Given the virus risk, I was in two minds about whether or not to go, but as I had booked the ticket on the 22nd October in 2019 (which I think was on the day they came out), and had been looking forward to the evening for five months, I decided to take a chance. And, I am pleased I did, it was a cracking gig, I thoroughly enjoyed it … and I didn’t get infected.

On tour promoting the latest album “Legal at Last”, the band was on good form and in good spirits. Unlike the last gig I went to in 2018 (write up available here), the chaps came armed with a luxury tour bus, all their own kit, a crew of roadies and a decent merchandising operation (you could even purchase Robb Reiner artwork/prints).   

During the setup, Kudlow, obscured by a black hoodie, was sorting out his kit, shuffling around slowly and looking rather like the pensioner that he is. But BANG, when it was time to start, it was like his lights came on, his spirits soared and he grew a couple of feet in height. Lips is clearly a man that is at his most alive and animated when he is performing.

​There were a few new songs in the set (see below) but much of the set list and indeed Steve’s antics and pitch in between the tunes was the same as the 2018 visit. You can read my 2018 post to save me covering the same ground again.

Here’s the set list, or thereabouts anyway, I may have missed a song, or got the order wrong, so feel free to correct me:
  1. March of the Crabs
  2. 666
  3. Ooh Baby
  4. Legal at Last*
  5. Nabbed in Nebraska*
  6. Badass Rock 'n' Roll
  7. Winged Assassins
  8. Free as the Wind
  9. On Fire
  10. This Is Thirteen
  11. Bitch in the Box
  12. Swing Thing
  13. Mothra
  14. I'm Alive
  15. Metal on Metal
  16. Forged in Fire
*new

During the set, Kudlow asked the audience to put their hands up if they had seen the Anvil movie called “The Story of Anvil”. In 2018, I made a mental note to watch it and at this gig, I made another mental note to watch it.

The Vid.
With lockdown subsequently in full swing and with my job furloughed, I can finally report that I have watched the film. I can also report that it’s a documentary well worth you viewing too.

​The story of the band is one of initial fame followed by lots of setbacks and regular rejection. Determination, passion and “keeping the dream alive”, even when the reality was more of a nightmare, is a constant theme.  Badly organised tours, hopeless transport, empty gigs, not getting paid, record company refusals, band member arguments, funding albums and tours from their own pockets were all Spinal Tap type moments … but just lacking in the spoof humour.

Seeing Steve “Lips” Kudlow in an ordinary van-based delivery job, living in a thoroughly ordinary house whilst trying to make ends meet, is a salutary lesson in the vagaries of the music industry. Lips is a consummate showman and a gifted guitar player, but it was clear from the film that his finances were on a knife edge and his family, and all that he held dear, were at risk.

In 2018, when the fellas turned up at The Craufurd Arms with nothing but a couple of guitars and some cymbals, and then needed a lift to get to their festival, it left me thinking that life hadn’t moved on much from 2008 (when the film was released).

The film however left me hoping that Steve, Robb and Chris achieve the successes that their commitment, determination and sheer hard work warrant. In March 2020, if the fancy tour bus was any indicator, things must be on the up for the band. Fingers crossed I am right.

Of course, the coronavirus pandemic then led to the tour being messed up something rotten. Presumably bands don’t get paid for cancelled gigs?

Still determined to keep some momentum, and no doubt to earn, Anvil resorted to selling tickets for performances of virtual shows instead.

​The Gig
At the gig, I bought a copy of “Legal at Last” and I hung around after the show for more than an hour really hoping that I’d get a chance to meet the fellas and get my CD signed.  But the chaps decamped from the stage to the tour bus, and by something close to midnight I’d given up hope that they’d come back out (I had work to go to the next day and was still facing an hour’s drive to get home).

​I have got used to being able to engage with the bands at Craufurd Arms events, it was a shame that it didn’t work out that time.

Picture
Another thing that didn’t work out quite so well was the after-show crowd photo, shared here. From most gigs (see the band’s Facebook feed) the images were crystal clear, for my gig, the shot was bathed in a clarity slaying eerie red glow. Still, you can just about make me out.

Regarding getting a signed CD, maybe third time with Anvil will be lucky. Hopefully the fellas will come back to MK in the fullness of time. That’s of course hoping that The Craufurd Arms is able to survive the economic woes it is facing at the moment.

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Kristin Baybars and the Ostrobogulous

7/2/2020

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PictureLoveday's Peter Hoots
In my seventies stuff gallery (you'll have to scroll if you click through), I feature a Peter Hoot owl from the Ostrobogulous toys range. Peter Hoot was one of a number of creations from Kristin Baybars that I believe were sold in Heal's department stores.

One of Kristin’s other claims to fame is that she was part of a duo responsible for the creation of Humpty for “Play School”.

Back in November 2013, in the write up accompanying the photo, I mentioned that I had never seen another Peter Hoot. Well that has now changed thanks to an exchange of emails with a reader. Loveday, as it transpires, has two owls from the range. Above is the photo she shared with me.

And this is what she had to say:

"Hi there, just seen your post from several years ago about a soft toy owl Ostrobogulous, and the fact you hadn’t seen another. I just wanted to let you know that I have two! A brown one as in your picture and a bigger blue one. Both given to me as a child by my parents."

I am sure that Kristin would be delighted to know that people, like Loveday and I have kept and treasured her creations for so many years. 

​Loveday’s engagement with me prompted me to carry out a little more research and in so doing, I came across this interesting article from Harry Rosehill writing for the Londonist.    

https://londonist.com/london/features/the-london-toy-shop-that-mirrors-a-child-s-imagination

Next time I am in London, like Harry, I’ll make a pilgrimage to Gospel Oak to see if I can find Kristin’s shop.

The Google searching I did also revealed that Kristin has a Facebook shop window too. I was delighted to scroll through the posts to find one from 21st May 2019 showing a whole parliament of owls.

https://www.facebook.com/pages/category/Toy-Store/Kristin-Baybars-948746098636155/

It’s amazing that as old as Peter Hoot is, you many even still be able to buy one from the original creator.  How cool is that?

Things got even more cool when I started trading notes directly with Kristin's team via Facebook. Not only was David Ward her shop manager, social media manager and friend aware of my earlier post (which frankly amazed me), he pointed me at another Facebook sub-site “@Ostrobogulous Toys”, here’s a link:

https://www.facebook.com/OstrobogulousToys/

The site makes for a great historical record and I am now a follower. I now know that:

1) The Bethnal Green Museum of Childhood clown I referred to in my earlier post goes by the name “Aristo”.
2) Peter Hoot came in three different sizes (I am not sure what size mine is)  
3) That the range also included a hedgehog (called "Hedgiwig"), a goose (Sippigoose) a fish (Burble), and some other characters that I still need to find out more about (a lion, a mole, a fox perhaps?). Watch this space for further updates.

All the creatures look great, I just love the vintage fabrics. It would be delightful to own a few more of them, Aristo in particular. Rest assured, if I ever acquire any other characters, I'll share the photos on my site. If any of my readers share their photos with me, I'll share them here too.

Kristin is 85 years old, very sensibly shielding from coronavirus at home, and more of a celebrity than I appreciated. It turns out that she has even had a film called "A Pathway of Crumbs" made about her life and work.   
​
I am sure I have made similar statements on this website before, but I’ll repeat myself here anyway. I love it when the internet enables decent dialogues to take place between complete strangers that just wouldn’t happen otherwise.

Many thanks to Loveday and to David. And a big wave to Kristin.

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Update 18th April 2021

I am pleased to post an update to this article. Thank you to Shaun for getting in touch and sharing a photo of his Peter Hoot. You can see Shaun’s original note in the comments below. Great fabric and nice colours too, what’s not to like?

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Update 10th September 2021

I am pleased to post another update to this article. Thank you to Patricia for getting in touch and sharing a photo of her Peter Hoot. You can see her original note in the comments below and the photo she sent me here - you'll spot that Loveday and Patricia have the same owl.

Said Patricia, "
I'm afraid he's got a bit dusty! He's the same material all over. I wasn't aware of his real name of Peter Hoot. He's always been Ostrobogulous to me. "

Great to see another one of these survivors. 

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Furlough Purgatory

6/22/2020

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Since my last post, my life has changed dramatically. In March, I was working from home but by April, I was furloughed. The last couple of months in coronavirus lockdown have been weird to say the least.

Over the time I have achieved all sorts of things in the home and garden and, from another positive perspective, I am fitter and stronger than I have been for some time. But, in all honesty, I have struggled to adjust to the different pace of life. The main reason for not being able to completely embrace the time away from the office is the genuine fear that I am on the long and lonely road to a destination called “Redundancy”.  

Back in 2011 I spent some time in that place and it wasn’t comfortable. Back then I wrote this piece - https://www.adrianbaldwin.net/the-musings-of-a-reluctant-house-husband-aged-40-and-three-quarters.html - and the whole experience of unemployment was the catalyst that lead to the creation of this website.

After the best part of nine years, this site might have to revert to its original purpose – to help me in the process of finding another job.

Of all the stuff that in recent weeks has kept my mind and body busy, I haven’t spent any time on the blog until now. Because I normally love writing, I have been reflecting on why. I have decided that the answer is psychological – I am trying to avoid re-associating my site with the anxiety of job loss.
   
Fingers crossed that I am worrying about nothing. And fingers crossed that all the years of blogging what I really think, hasn’t made it impossible for this site to meet its founding objective again…

The scenario of still being employed, but not actually working, and worrying about becoming unemployed is why I refer to furlough as being a form of purgatory – neither properly employed nor unemployed. Though I have finally done some things that I’d been putting off for years, as well as achieve some things that it would have taken me years to get around to otherwise, furlough leave certainly doesn’t feel like a holiday - I just can’t relax.

On the bright side, furlough has been a lifesaver from a financial perspective.  Without it my employer most probably wouldn’t have survived. From a personal angle, furlough pay is rather more advantageous than job seekers allowance.

I also appreciate that in many respects I am lucky, others are facing greater hardships than me. I also haven’t been ill, so am grateful for that.
​
Job hunting is my least favourite activity and with the economy in recession, companies failing, the jobless count rising every month (currently 2.8 million) and the virus still circulating, I am not anticipating an easy ride.

Furlough for me is a certainty though July, but after that, who knows.

Wish me luck.

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The Six Nations gets a mauling

3/5/2020

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Today’s post is about the Six Nations rugby tournament, which to date has been great. The game I enjoyed the most this year – France versus Wales - which was even better than England beating the Irish. The England/Wales game takes place this weekend and I am very much looking forward to it.

But the Six Nations is under threat, Coronavirus has seen the remaining Italy games postponed and it is quite possible that the tournament won’t actually get completed at all this year.

And if the virus wasn’t bad enough, the long-term prognosis is even worse. There is the possibility that from 2021, the games might not appear on the BBC & ITV. The news shared on the BBC – https://www.bbc.co.uk/sport/rugby-union/51704956 - on Monday this week was depressing to read.

There is every chance that the Six Nations will end up behind a pay per view barrier.

For me, that will kill it and, in my opinion, P.P.V. TV will knock off a far greater proportion of viewers than Coronavirus will bump off those that catch the bug.

I have written before about the impact that a similar barrier has had on my love and enjoyment of Formula 1. Last year I only watched the British Grand Prix, the other races I just read about the results later. I accept that the highlight shows on Channel 4 were available, but watching those was pointless once the race results were already public. Bearing in mind that for the previous 20 years, I had watched more than 90% of the live races, the change in viewing behaviour was stark.

It’s not just F1, back in my youth, boxing was shown on terrestrial TV (admittedly there was nothing else available at the time). Watching Mike Tyson, Frank Bruno or Barry McGuigan fighting was a treat. These days despite the British boxing scene being more exciting than ever, the only thing I ever see are a few post-bout photographs. I’d have loved to watch Tyson Fury beat Deontay Wilder, but there was no chance I’d pay the viewing fees.

If the Six Nations ends up on Sky, I’ll probably never watch another game at home, which would be a damn shame.

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Hair Matters

3/4/2020

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But not to me.

I gave up on my hair a long time ago, what’s left is grey and periodically buzz cut by Mrs Baldwin.

My younger male office colleagues, who spend a small fortune on getting their barnets coiffured on an almost weekly basis (Ed if you ever read this, consider yourself included), are of the opinion that getting your hair cut by the Mrs is the sartorial equivalent of wearing shorts, socks and sandals. Bad, apparently. Like you’ve just given up on your appearance and lost your style mojo.

I of course disagree on the basis that I now have the perfect hair style to wear underneath a crash helmet.

There are of course risks in having your hair cut by amateurs. Last year in one rather amusing incident, my lovely wife armed with the electric clippers made a bit of a mess of things. Having handed the Wahl to her with the three comb already attached …

… she took the comb off for some reason even she didn’t understand. And then buzzed a strip off my bonce.

Panic, hers I might add, followed. In Mrs B’s defence, she was mortified. The rest of my cut went from the planned three, to a two and then to a one … and the go faster stripe was still bleeding obvious.

My colleague Ed would have died of shame; me, I went to work without giving a damn. To be fair, I did get laughed at but I really didn’t care. That’s how little the hair matters.
 
My flowing locks and days of hairspray are long gone, but perhaps surprisingly, I have written about hair before. Here’s a link to a post from 2015.

To be honest, I’d pretty much forgotten I’d even written it, when out of the blue, I started receiving emails from Louise Boury, writing for www.hairtheme.com. Louise thought that some links from my earlier piece to her website and advice article could be useful to my reader (so, Tracy Westgate, I’ll leave it to you to decide).

Here’s an extract from one of Louise’s notes – “I just published a comprehensive guide about balayage or ombre.”
My initial response was “what on earth are balayage or ombre”, two completely new words to my lexicon. So, because every day is a school day, here’s where I went - https://hairtheme.com/natural-hair-growth/ …

And it took me no time at all to feel like I was a very long way from target market. I might as well have been reading about knitting or decoupage.

But a fellow blogger is welcome to a link from me, and of course, Tracy might find the page interesting.

Louise emailed me four times, that’s how much she values a link from my earlier piece. She must be mad! But she got the result she wanted in the end.

I’ll be honest though, I still don’t know what balayage or ombre are.

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Reveille

3/3/2020

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After my last post (which, to be fair could have been … but obviously isn’t anymore), I have had a few months away from the blog and have achieved different things in my spare time.

I have not put myself under any pressure to publish, and have instead enjoyed writing for work rather than for my site. The time away has been useful in that I have refreshed the batteries, polished the bugle and, most importantly, returned with some renewed motivation.
 
There have been lots of things that were worthy of trumpeting about.

My eight year bloggerversary passed without comment (well that perhaps wasn’t worth writing about), Christmas came and went, 2020 rocked up and then I got another year older myself (you’ll be pleased to know I moaned about that elsewhere). Brexit happened, Boris is completely in charge, Harry hung up his royal boots, the AACI has closed down, there has been widespread flooding in the UK and terrible fires in Australia, Ozzy Osbourne has Parkinson’s, Tyson Fury pummelled Deontay Wilder, the world has one less python in it, and the spread of Coronavirus is decidedly worrying.

That is quite a lot of missed blogging opportunity!

On the subject of Covid-19, I have spent the last few weeks managing the snot factory and fighting off the annual cold; so have many of my work colleagues in fact. But let's be honest, it's not great being stuffed up with cold knowing that people around the world are dying from flu.

This time of year though is always the same, but whereas normally everyone just gets on with getting better, now there is a sense of nervousness. The office has sanitiser gel dotted around all over the place, HR has sent out “guidance” on hygiene, and every cough, sneeze and nose blow seems to make folk jittery. Contingency plans are being made.

In my lifetime, I can’t think of anything that has come close to this in terms of global government reactions. The lock downs, travel bans, hazmat suits, enforced isolations, the Geneva Motorshow cancellation …

It’s all been more dramatic than Aids or Ebola when, in theory at least, the personal risk to folk that pick it up is relatively low in comparison. 

In my days of working at Masterlease in Birmingham, I used to sit on the disaster recovery team. It used to be chaired by a chap called Iain, who was a real doom and gloom merchant. His end of the world predictions used to annoy me and, in my defence, the outbreaks at the time, like Swine and Bird flu, all amounted to nothing in the UK.

But in the case of Coronavirus, the WHO declaring a global pandemic feels inevitable to me. The run into spring and summer is going to be weird. One thing is certain, 2020 is going to be an interesting year. 

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When it all comes tumbling down

10/26/2019

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Over the last week or two, I have been engaging with Weebly, the providers of the web infrastructure that I utilise to host my website. Web site visit statistics were once again the reason for my dialogue. Earlier articles about the vagaries of visitor monitoring are available.

https://www.adrianbaldwin.net/blog/my-net-popularity-takes-a-dive-well-sort-of

https://www.adrianbaldwin.net/blog/dreaming-of-a-million

Once again, I had noticed a plummet in visitor numbers and in this instance, Weebly had also updated a whole month’s worth of trendline so that the drops were even more painful to view. See the image and you’ll understand my disappointment.

The first response from customer services on 2nd October was this:

“The problem you’re describing has been identified as a bug and is being investigated by our engineering team. I don’t have an ETA for when they’ll have the issue fixed, but someone will follow up with you as soon as we have an update. I’m very sorry you’ve run into this problem, and thanks for your patience while our team works to get this resolved.” 02/10/19

When I chased for further feedback, I then got back this:

“We have recently changed the way that we track analytics on our sites. Your previous traffic stats were not inaccurate, it just used a different counting methodology focusing on the number of times your site has been served / rendered, rather than the number of actual users that viewed your site. The newer metrics are more reflective of actual usage and a better point of comparison. The new Insights utilizes front-end tracking where a website visitor’s browser pings Weebly servers to report usage. This is the same methodology used by Google Analytics, and is designed to handle granular calculations. While this methodology has certain limitations as tracking can be disabled by an ad blocker, it is much closer to numbers rendered by Google Analytics, and is much less susceptible to over-counting.” 11/10/19

So, the first response from Ron was nonsense, and the second, from Jayme, depressing.

Why depressing, well if success is a structure, it has just come crashing down. The results hardly justify the investment, and it is probably time to give up and do something more productive with my time.

To make matters worse, this message arrived on 7th October -
​    
Hi Adrian,
Your domain adrianbaldwin.net will automatically renew in 2 weeks! There's nothing more you need to do.
Thanks,
The Weebly Team

The timing positively comedic bearing in mind the exchanges going on at the time.
 
I am not best-pleased. The renewal might as well go ahead though because otherwise my site just vanishes. However, after almost eight years of internet presence, the longer-term outlook for my site is now rather bleak.

You can help if you like what you read on my site, you can share posts/links with your friends, add comments to articles, follow me on Twitter, retweet the stuff you like, go mad with your emoticon library etc.

Recovering something from the rubble of one’s dreams, brings me on to an article that I read recently. I thought it was heart-warming enough to be worth sharing with you too.

Jonjo Heuerman and his mum, Donna, have been reuniting commemorative bricks (circa 1,000) from the old, demolished, West Ham United, Boleyn Ground stadium with their original owners/sponsors.
   
https://www.bbc.co.uk/news/stories-49884207

Please have a read if you missed the BBC news piece.

So, I find myself reflecting that good can come from investment even years down the line. Something positive may still come from the demolition of my visitor stats. Like West Ham, maybe a new stadium is needed. Or perhaps I’ll spend more time working on better promoting what is on the site already, rather than writing new content (that won’t get read if I don’t promote adrianbaldwin.net properly).

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​Rocket Launch Bucket List Tick

10/26/2019

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PictureULA Atlas 5 Launch 8th August 2019
This summer saw me tick something else off my bucket list. To the best of my knowledge, and for any of you that are worried, I am not ill (I’ll admit I just stopped typing to touch wood), but I still have this mental check list of the stuff I want to do before age and infirmity get the better of me.

Getting the full ‘A’ licence (and a proper bike) was achieved in 2019 and then …

… the reason for this post …

I got to see a rocket launch.

And it was all rather exciting.

Some scene setting - this year’s Baldwin family holiday saw us go to Florida. I hadn’t been to the States since 1995 and had never been to Florida at all. When we were planning the trip, we all voted for the thing that we’d most like to do. My vote was cast for visiting the Kennedy Space Center (KSC).

I have written about astronauts and rockets recently, and this year marked the 50th anniversary of the Apollo moon landings, so going to the temple of space travel was a chance not to be missed.

Better still, our holiday dates happened to coincide with a United Launch Alliance (ULA) Atlas 5 Heavy rocket launch. The payload, a US military satellite.

Having travelled so far and ending up so close, my view was that to not see the launch would have been a source of regret.

If the launch got cancelled for any reason however, the journey would have been wasted and potentially the money too bearing in mind that any subsequent launch could have been put back beyond the term of our holiday.

Risks aside, on the 8th August, I made my way to KSC to take my place/chances at the Banana Creak viewing complex.

The other slight downside was that I had to be at KSC no later than 3am and I was staying in Kissimmee, about an hour’s drive away. Given that I didn’t want to be late, I set off at 1am and that, perhaps unsurprisingly, meant that I went on my own.

The Atlas 5 was to launch from complex 41 and that is more than 5 miles away from Banana Creak. The implication was that the rocket was barely visible at all without magnification. It was literally a speck on the horizon.

From the distance, and in the darkness, my camera was hopeless. Other spectators had lenses about the length of my arm and tripods too, they were going to get some decent pictures … but not me.

The benefit of being on NASA territory for the event was that there was a spokesperson provided that talked us through what was going to happen, and there were big video screens broadcasting live feeds from the ULA launch control centre. Our compere was keen to ensure that we ignored the ULA countdown because it was a little out of sync and that we prioritised watching over recording, so as not to miss the take off.

After a few technical delays that put the launch back by half an hour, the rocket was ready. At circa 6:15am, the launch took place and this fireball shot into the air and rapidly disappeared. The rocket still wasn’t visible at all, just the flames from the engines.

There was a sequence of events, I initially saw the rocket lift off and then a few seconds later heard the launch and then a few seconds after that, felt the shock wave from it. All very cool.

And then a few minutes later it was all over. This photo shows the trail of the Atlas 5 and whilst it looks like it has gone up and come down again, what is actually showing is the rocket following the curvature of the earth.

When you buy a launch ticket, you must buy an entrance ticket to the complex as well.  So, the enjoyment didn’t end for me with the launch, because I got to spend the rest of my day at KSC. It’s a cliché I know, but I was as happy as a kid in a toy shop – well maybe a gift shop given the NASA tee shirts, fridge magnets, keyrings and baseball caps purchased.

In fact, KSC was so exciting that I went again a week later. On that occasion with my son (and not so early in the morning).  

After the launch, I visited YouTube and found a link to the official launch video. Here it is for your enjoyment - https://www.youtube.com/watch?v=NSr1x4uQYXo

Obviously, it’s better for the detail, but not as much fun as actually being there. And besides, I could hardly claim a bucket-list-success by watching a video.

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